A 21st Century Problem – Maintaining ‘A Room of One’s Own’
Yasmyn Shaikh takes Virginia Woolf's room of one's own into the 21st century, where debt and precarity make creative space ever harder to keep.
77 published essays
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Tanaka Mhishi reports from Clear Lines, the UK's first festival exploring sexual violence and consent through theatre, art, comedy and discussion.
Urban designer Daniels Langeberg on how photography and cycling through Shanghai's megalopolis help him read cities and make better creative work.
Sam unpacks 'not all men' and other misogynist buzzwords, showing how each derails feminist criticism while posing as harmless common sense.
Anthony Laurence on the Mad Max franchise, whose gasoline-soaked masculinity gives way to Furiosa and the women of Fury Road's wasteland.
Jeffrey Hernandez reads the 2015 Counter-Extremism Bill and Cameron's vow that obeying the law will no longer keep the state out of your life.
Nineteen13 founder Emily Hoyle challenges the assumption that sexualised images of women exist for men, exploring the female gaze in media.
Would you shoot the president to stop a nuclear strike? Elijah Joshua Pryor dissects the dilemma and what such questions reveal about morality.
The Independent Inquiry CSE into Rotherham revealed that approximately 1400 children were sexually exploited in the borough situated in the South of Yorkshire.
Aryanna Prasad watches Dear White People as a biracial student and asks whether Justin Simien's satire can make America talk honestly about racism.
Emily Hoyle asks why women look at sexualised women, from lingerie campaigns to magazine covers aimed at a female, not male, audience.
Zekarias Kebraeb is a human being who can fly because he has wings in his soul. To us Zekarias Kebraeb is an immigrant. Just an immigrant.
Benjamin Eli Levine traces 'no justice, no peace' from Rodney King to Mike Brown through bell hooks' white supremacist capitalist patriarchy.
When UKIP backed referendums and recallable MPs, Dave Martin asked what direct democracy would really deliver for voters and the working class.
Via Alfredo Vea's gods go begging, Jeremy Barras follows the new Great Migration from the furnaces to basketball courts sold as escape routes.
Benjamin Eli Levine maps how neoliberal ideology and identity politics atomise us into cells of a panopticon while claiming to set us free.
Anthony Laurence weighs Breaking Bad against television's best and asks whether Vince Gilligan's meth-lab tragedy is the greatest show ever made.
Arts
What makes you British? Does being of an ethnic minority make you less British? How about your religious beliefs? How has Britain's national identity changed?
Jeremy Barras asks whether Western strikes over Assad's sarin attack would extinguish Syria's 'moral obscenity' or simply ignite a deadlier fire.
Lina Silverman, raised across the Middle East by Foreign Service parents, writes an open letter to America about 9/11, identity and belonging.
Vanessa Omoregie explains her CamGirl Project, which pairs Renaissance paintings with internet selfies to reframe how girls see themselves online.
Matt Spencer-Skeen argues Hollywood now funds only tent-pole franchises and Oscar bait, abandoning the mid-budget films where risk once thrived.
Matt Spencer-Skeen asks why Hollywood villains built from the West's real fears have become as beloved as the heroes who defeat them.
Benjamin Eli Levine asks what George Zimmerman's acquittal for killing Trayvon Martin reveals about race and justice in post-King-dream America.
A British graduate recounts an internship summer in Shanghai, where crowded metros, new customs and a paradoxical culture reshaped his view of work.
Dave Martin examines how forum atheism mirrors the religions it rejects, assembling a doctrine and narrative of its own from anti-theist polemic.
Anthony Laurence revisits six films of 2013 that slipped past the box office and the Academy, from Park Chan-wook's Stoker onward, all worth your time.
Tom Moulton traces capitalism from feudal origins to a dominance so normalised that 9-to-5 work and excess consumption now pass for human nature.
Following in the footsteps of your father is never a meningeal task, especially when your father is acclaimed filmmaker David Cronenberg.
Every February, Black History Month returns to inspirit black innovators and remind white America that black lives matter.
From Melies's 1902 moon voyage to CGI-saturated blockbusters, Anthony Laurence asks when cinema's special effects stopped being special.
An overheard Starbucks conversation leads Aryanna Prasad through the careers, marriages and expectations that define what it means to be desi.
Anthony Laurence on cinema's representation problem and why film must offer heroes and role models who are not, by default, white men.
In a bare Havana casa particular, Aryanna Prasad finds the one luxury America denies her: privacy in a country beyond US cultural imperialism.
Aryanna Prasad links America's individualist creed to its silence around mental illness, where saying 'I need help' takes the greatest courage.
Oliver Brooks dissects the inquest that ruled Mark Duggan's shooting lawful and asks what an unarmed man's death means for British justice.
Taimour Fazlani reads Gibran against the tuition-fee system, arguing that debt and dogma are stripping the soul from British university learning.
The only sure thing about this year’s general election is uncertainty. But one thing seems set in stone – the majority of young people are not going to vote.
After losing a friend to suicide, Benjamin Eli Levine writes on empathy through Chen Si, who patrols Nanjing's bridge to talk strangers back from the edge.
In 2014 the issue of identity is still one of relevance in Britain. Newspapers paraphrase Enoch Powell on a seemingly weekly basis.
Orsod Malik leaves a Brighton lecture on women's liberation startled by how many of his peers still resist the basic conceptions of feminism.
Hassan Que dives into Frank Ocean's Channel Orange, an ice-cold corridor between hedonistic dreams and his own lukewarm middle-class world.
Elsie Bryant's letter to fellow humans before the 2015 election: a plea to vote with empathy for social justice, equality and the environment.
Ancoats, once Manchester’s industrial heartland, is now a test case for urban renewal where cultural planning, artist-led change, and gentrification collide.
Orsod Malik speaks with Erick Matsanza and Spice Chungu, African visionaries whose work defies the West's bleak single story of the continent.
ZOD Culture opens the ZC Blog to emerging writers and visual artists, inviting generation Y creatives to showcase work and have their voices heard.
One of our students is the founder and editor of ZOD Culture; other students have written for it. I admire them for what they do.
Karen Bartlett lost her skin and sight to a routine anti-inflammatory drug; Jeremy Barras asks how the US Supreme Court left patients unprotected.
In this region of Melanesia, Islands are small states that get pushed around and often manipulated by powerful corporations.
Anthony Laurence admires Jeff Nichols' Mud, then traces its debt to Dickens' Great Expectations and asks when homage becomes idea recycling.
After Lee Rigby's murder, Jeremy Barras confronts the reflex to damn Islam wholesale and asks whether the excuse for ignorance is inexorable.
Nineteen-year-old photographer Jennifer McCord on immortalising moments, the rawness of black and white, and her passion for shooting live music.
Dave Martin questions the remembrance ritual of 'lest we forget', asking what exactly we remember, why, and whom the ceremony really serves.
Orsod Malik interviews Sabriye Tenberken and Paul Kronenberg, whose Braille Without Borders and kanthari turn idealism into working humanitarianism.
As a fourth grader raised across the Middle East, Lina Silverman could not comprehend 9/11; her open letter retraces what America means to her.
An unasked-for glass of tea leads Aryanna Prasad to examine beauty as women's unofficial currency and the real cost of a pretty penny.
David Gould argues postmodern relativism disarms critique of capitalism, and that taking objects' value seriously is a materialism that resists.
Edward Learman writes through a sleepless night to trace the school memories, isolation and half-answers behind a decade of clinical depression.
A classmate's question about the melting pot leads Aryanna Prasad through August Wilson's plays to the myth at the heart of American diversity.
Dave Martin examines heteronormativity and the UK's first same-sex marriages, asking which social norms still exclude the LGBTQIA community.
Music
Orsod Malik reviews Drake's Nothing Was the Same from Los Angeles, the final stop on the modern artist's pilgrimage in search of inspiration.
ZOD Culture follows the word peace from Gandhi through the commodified counter-culture, asking what it still means beneath the branding.
Riding through London toward Ibrahim El-Salahi's Tate exhibition, Hassan Que finds in Islamic art a free form of worship beyond tradition.
Emily Hoyle asks why young women idolise pop's hypersexualised stage acts and what raunch culture sold as girl power teaches its youngest fans.
Hassan Que reviews Spike Jonze's Her, where Joaquin Phoenix's Theodore falls for an operating system in a luminous near-future Los Angeles.
In 1986 Richard Pryor appeared on The Barbara Walters Specialas a different kind of character, his lissome features, slender, fractured and unseemly.
After intervening to protect two girls from harassment, student Tugce was fatally attacked in Germany, framing this essay’s critique of sexism and violence.
Emily Hoyle takes on slut-shaming and the calls to censor music videos, asking why Miley Cyrus became the scapegoat for a sexualised culture.
Mark Richards charts the widening gap between Western governments' professed values and their record of military intervention and security policy.
Over the past decade the music industry has continuously adapted and evolved in order to survive the transition from analogue to digital.
Anthony Laurence looks back on Dexter at the end of its eight-season run, asking how television's blood-spattered antihero lost his way.
The Involuntary Bystander separates truth from belief, tracing how personal certainty hardens past the point of sanity in faith, sport and science.
Jeremy Barras chases the mystery of Jay Electronica, hip hop's engineered enigma who built a legend from anonymity and a single mixtape.
Oppression is a system in which one group maintains supremacy over another, simple enough. How exactly does one group maintain supremacy over another?
Jeremy Barras answers Tony Blair's claim that religious difference, not ideology, will fuel this century's battles, and finds it contemptible.
Taimour Fazlani looks past the style blogs' devotion to ask what fashion costs, tracing every pair of jeans back to the hands that made it.
Jeremy Barras tests adult actresses' claims of empowerment against the industry's realities, asking if porn is instructional, fantasy or neither.